editingwomenarchive.org

Summary

NuktaArt was an English-language art, design, and culture magazine produced by four Karachi-based women: Niilofur Farrukh, Amra Ali, Rumana Husain, and Sabiha Imani. It remains a singular archive of how art discourse in Pakistan shifted during the publication period (2005-2014). NuktaArt documented and actively shaped wider engagement with art through initiatives such as One Mile Square, Faiz Art Prize, and The Anxious Century, while contributing to changing perceptions of art.

From a design perspective, Nukta Art was distinctive. Its design language broke away from prevailing templates through experimental layouts, dense typography, unconventional image use, and high-quality printing, contributing to its positioning as a serious and credible publication internationally and nationally.

Editorially, sections like Nukta@Art functioned as a comprehensive record of seminars, residencies, awards, institutions, and individuals shaping art discourse. The magazine also became a crucial resource in a context where art books are scarce, particularly through its book reviews of non-mainstream and pedagogical texts. 

Framed by its founders as a decolonising project, Nukta Art foregrounded Global South perspectives, revisited marginalised histories, and introduced new generations to local artists, writers, and critical debates – often responding obliquely to censorship, erasure, and socio-political constraints shaping artistic practice.

Curatorial Note

The Nukta Art archive consists of excerpts from eighteen issues published between 2005 and 2014, currently available in PDF format and representing almost a decade of art and design discourse in Pakistan. Original copies of Nukta Art appear to be in good condition and can be found in a handful of libraries affiliated with art and design institutions, mostly in Karachi, Pakistan.

An initial survey of the contents confirms Nukta Art as a significant source for understanding shifts in artistic practice, critical writing, and cultural debate during this period. As Nusrat Khawaja observes, Nukta Art captured “the spirit of Pakistani art in the early 21st century, introducing “art writing as a form of inquiry” and documenting “cultural history seen through the lens of art”, while aligning itself with South Asian intellectual traditions (Khawaja, “Nukta Founders and the Biography of an Art Magazine, The Karachi Art Collective, 2021).

Proximity to the founders and editorial team enabled access to the publication and its production context, while also necessitating reflexivity regarding archival decisions, particularly the initial emphasis on long-form essays and editorial features. To mitigate this, an audit of all sections was undertaken, focusing on material that contributed to changing perceptions of Pakistani art. This process highlighted the significance of sections such as Nukta@art, which documented exhibitions, seminars, residencies, and awards, as well as art book reviews that serve as a much-needed source of information about local art publications. 

A process of triangulation – through interviews with readers, founders, and competitor publications – validated and refined archival decisions. Competitors acknowledged Nukta Art’s influence on writers, themes, and initiatives such as awards and seminars, leading to the inclusion of contributor pages and event catalogues published in the magazine. Meanwhile, reader accounts further highlighted the magazine’s pedagogical, design, and discursive impact, informing the creation of a richer, more representative archive.

  • Periodicity:

    Bi-annually (2005-2011); annually (2013-2014)

  • Price:

    560-700 PKR

  • Language:

    English with some Urdu content

  • Publication type:

    Art magazine / journal

  • Permissions:

    Permissions were obtained from the founders of NuktaArt to digitize the magazines and make this material accessible via the Editing Women in the Archives website.

Highlights

Critical Spaces as Spaces of Discontent

2012

Article by Amra Ali examining how the work of Naheed Raza and Mehr Afroze engaged with local concerns.

Sharing a Metaphor with Faiz

2011

Excerpt from an article on Faiz Ahmed Faiz’s metaphor by Niilofur Farrukh.

Erasing Dissident Voices Cover and “Editor’s Note”

2009

Cover image created by Sabiha Imani and “Editor’s Note” to issue focused on visual artists’ negotiation of censorship.

My Art: How I See It: Abdur Rehman Chughtai (1899-1975)

2007

Excerpt from a translation from Urdu of Chughtai’s writing by Inayat Hussain.

Awareness and Dissent – Performance in the by-lanes

2005, 1: 1

Article from the inaugural issue of NuktaArt by Rumana Husain on the power of street theatre to promote social change.

Community Comments

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Sara Khan

- February 19, 2026

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed eu posuere leo. Morbi accumsan gravida enim vitae cursus. Sed vitae velit mauris. Donec ultrices erat quis sapien tempor, vitae efficitur lorem dignissim. Morbi tempor mauris a tortor interdum sagittis. Pellentesque suscipit metus est, eget luctus urna pharetra nec.

Sara Khan

- February 19, 2026

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed eu posuere leo. Morbi accumsan gravida enim vitae cursus. Sed vitae velit mauris. Donec ultrices erat quis sapien tempor, vitae efficitur lorem dignissim. Morbi tempor mauris a tortor interdum sagittis. Pellentesque suscipit metus est, eget luctus urna pharetra nec.

Sara Khan

- February 20, 2026

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed eu posuere leo. Morbi accumsan gravida enim vitae cursus. Sed vitae velit mauris. Donec ultrices erat quis sapien tempor, vitae efficitur lorem dignissim. Morbi tempor mauris a tortor interdum sagittis. Pellentesque suscipit metus est, eget luctus urna pharetra nec.

Sara Khan

- February 20, 2026

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed eu posuere leo. Morbi accumsan gravida enim vitae cursus. Sed vitae velit mauris. Donec ultrices erat quis sapien tempor, vitae efficitur lorem dignissim. Morbi tempor mauris a tortor interdum sagittis. Pellentesque suscipit metus est, eget luctus urna pharetra nec.

See the full magazines

Nukta: An Art Discourse

2005, 1

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NuktaArt

2006, 1

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NuktaArt

2006, 1:2

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NuktaArt

2007, 2:1

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NuktaArt

2007, 2:2

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NuktaArt

2008, 3:1

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NuktaArt

2008, 3:2

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NuktaArt

2009, 4:1

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NuktaArt

2009, 4:2

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NuktaArt

2010, 5:1

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NuktaArt

2010, 5:2

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NuktaArt

2011, 6:1

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NuktaArt

2011, 6:2

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NuktaArt

2012, 7:1

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NuktaArt

2012, 7.2

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NuktaArt

2013, 8:1

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NuktaArt

2013, 8:2

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NuktaArt

2014, 9.1

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